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一度活跃在横滨街头的白妆老妓玛丽，因其特异的妆扮、扑朔迷离的身世成为一代街头传奇，融入战后横滨人的记忆。尔后，随着城市的变迁以及玛丽年纪渐老，她从街头黯然消失。本书是中村高宽导演纪录片《横滨玛丽》的创作手记，不仅记录了电影的构思、拍摄、制作过程，而且记述了电影台前幕后的故事，力图呈现导演的叙事理念与手法。
本书以追寻真实的玛丽为线索展开，通过口述资料、报刊资料，以及作者实地调查的一手材料，层层拨开玛丽的神秘面纱。玛丽的人生际遇也可谓是横滨的城市变迁史，乃至日本的近现代史的缩影。
中村高宽，1975年生。电影导演、日本东北艺术工科大学影像学科准教授。1997年在松竹公司大船片厂开始职业生涯，参与多部影视剧作品。2006年完成导演处女作《横滨玛丽》，在加拿大多伦多国际电影节首映，后参加釜山国际电影节、温哥华国际电影节。在日本国内获横滨文华奖文化·艺术奖励奖、神奈川文化将未来奖、文化厅记录电影单元优秀奖等10个奖项。2017年，时隔11年完成第二部作品《禅与骨》。
王众一,1963年生。跨文化传播媒体人、日本电影研究者、翻译家。现任日文月刊《人民中国》总编辑。曾以访问学者身份在东京大学从事表象文化研究，对电影与传播的关系、中日文化交流史等有较多关注，著有随笔、评论与人物专访等。近年尝试以汉俳形式汉译日本俳句、川柳，并从事俳句、汉俳创作。著有《日本韩国国家形象的塑造与形成》，译有《日本电影100年》《日本电影110年》《创新激情：1980年以后的日本电影》《严复：中国近代探寻富国强兵的启蒙思想家》《溥仪的后半生》《中国衣饰文化（日文）》等。
第一章 玛丽是谁················································· 1
一切始于电话俱乐部······································· 3
城市传说与传闻············································· 9
倾听城市的声音············································20
真实与事实之间············································29
拍摄玛丽的人···············································34
第二章 通过横滨解读近现代史 ····························43
人祭—阿三宫的传说······································45
唐人阿吉与洋妾············································47
青楼女子成为攘夷的牺牲品·····························52
淘金热························································60
世界贸易港“YOKOHAMA” ·····························71
山下公园—复兴的象征···································74
二战期间公开场合接吻被定为公然猥亵罪···········76
占领军来了··················································79
守卫大和抚子的纯洁······································84
娼妓们的战后·············································92
城市的变迁·············································· 100
第三章 “玛丽”的记忆 ·······································103
玛丽献上的花束·········································· 105
元次郎三十三年的夙愿································· 115
玛丽的竞争对手·········································· 130
第四章 罗莎与玛丽············································141
寻找成为传奇的电影···································· 143
懵然碰壁··················································· 161
横滨罗莎告诉我们的···································· 166
黄金町的地下世界······································· 175
第五章 滨城玛丽：横滨与横须贺 ························183
与“战后”拥眠的女人·····································185
这年夏天，见到素面的玛丽··························· 210
第六章 两个人的《我行我素》 ···························225
纪录电影的真髓···········································227
拍摄“日常” ·················································235
与玛丽重逢的演唱会···································· 239
重大的挫折················································ 242
第七章 听见伊势佐木町布鲁斯 ···························253
窘迫的打工生活·········································· 255
根岸家档案················································ 259
横滨末代陪酒艺妓······································· 271
根岸家毁于一把火······································· 277
第八章 终章···················································· 289
“忧伤的向阳处” ·········································· 291
含泪的告别演唱会······································· 297
元次郎之死················································ 303
亲弟弟谈玛丽············································· 311
破纪录的火爆············································· 315
留住将要消亡的记忆···································· 319
为玛丽扫墓················································ 321
主要参考文献···················································324
译后记 ·························································· 326
装 帧：精装
开 本：32开
纸 张：胶版纸
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